Five planets are seen gathering in the heavens like the gods themselves sitting down to a Wagnerian opus. Whispers of a people for whom Armageddon has already come wearing armor and speaking Spanish echo like words of the Hebrew Prophets against the polished marble of an American entertainment industry effete and choking. JRR Bookworks binds one of the most sought after occult book sets of the 20th century. The year 2012 has proven to be what the ancient Chinese curse referred to when it stated , “ may you live in interesting times”. It certainly seems “interesting” to some, myself included, and so too seems to blow an ill wind for many if the vernacular modes of news are accepted. But I am not so blind as to think that what is of note to some, we devotees versed in the language of those ancient masters hoary with age and wisdom or those chthonic prophets chanting names and sounds yet not even words, is of note to all. When what is considered “interesting” to the public seems to be the newest technological piece of planned obsolescence or the Lupercalian howls of devouring beasts bursting forth from ill fitted wool coats who cry “ the end is near buy my preparation kit!”…well, I realize that to draw attention to things ancient, things considered of esoteric import, or things cyclical in nature is a Herculean task. Still, it is a task I am driven to and one in which I hope I will be viewed as herculean and not what Hercules must have viewed when bending over to inspect the floors of the Augean stables. Binding these books has been ….well …interesting, to say the least. To draw attention to them…to weave an image somehow appropriate to the content has indeed been a labor.
If an actor can act by means of psychological empathy for a character so too can I bind by taking a psycho spiritual empathy with the egregore of a system of magickal philosophy. Of course to do so is to face the cthonic entities that reside just beyond the borders of this planar reality. Once you look at them….they of course will look back and when they do they are unblinking and enduring in their stares.
This set came to me in its black paper covered boards and I removed this lower class carcass and cut new boards and leather for suits more fitting to the dark nature of the collection. Of course I added spine bands and rebacked each book. After mounting the leather I dyed it, many many ….many times. Colors, darker colors, deckles and spackles and marbles (oh my). Once a base coat was established I put a reverse stencil over the covers and dyed black and the deepest brown I could mix in order to define the edges of a central motif.
The designs for each were inspired on the spot and de profundis- a seminal cosmic swirl, a mothman Rorschach, a screaming flailing flame beast resplendent with eyes galore. This Spare-like somnambulistic design style was continued throughout the binding process especially for the drawings I executed for the main gold stamps. I was not familiar with the content of the books or the drawings within, only the dust jackets and many writings about the nature of Grants magickal system. I did not want to copy any copyrighted material so I read synopses of each book and then sat for drawing the images. I was happy to see my drawings worked well with the content of the books.
Once the stencil shapes were dyed I then used a bone folder to press and burnish the leather around these shapes in order to push it down. Each book took hours to work. Once the shapes were made I pared pieces of leather down for a central onlay and mounted that…uesed hand cut brass stamps for the back covers and hand drawn images that had been made into gold stamps for the covers.
I darkened, cajoled, oiled, waxed, smoothed until my hands cramped and my temper flared. I added innumerable tiny dots of gold and silver leaf, eye shaped dots, circles and any organic shape I could conjure.
Once the covers were done I added a design on the spines with onlays, burnishing, stamping, and dyes that is another squid cum root cum horned Rorschach image. This again took weeks to complete with each piece being hand pared paper-thin roughed base leahter-glue-bone folder-burnish…..ad nauseum.
The final set is a unique one of a kind hand bound goat skin, hand dyed, hand burnished and stamped set with three colors, three designs, and nine custom dies- three custom sigil stamps and too many hours to recall.
May you live in interesting times….
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I was commissioned to create a blank journal of mammoth proportions late in 2011 and the resulting tome is now finally ready for the customer to see. This massive 5 inch thick book was made entirely by me. There was no restoration or rebinding that took place here. Each page was folded, cut, sewn on heavy cords in medieval style, and hammer then the page edges speckled with acid free dyes. The leather was hand dyed a lavender purpleish plum. The center is a lavender and the outer edges and spine are a plumish purple. The photo shopping I ha to do to lighten the pictures – taken in the bindery library- made it look a bit pinksh. This book was then gold tooled with a traditional bright gold leaf (which also is a bit “glowy” after photoshopping the pictures) and tooled, and tooled, and tooled, and tooled some more which is exactly as the customer wanted. I took pictures prior to adding the final cover stamp which was a custom piece made for the client and will remain private for now. I feel I have “outdone” myself with this massive work (pictured next to my 4-year-old son to give some perspective) but I have also over done this technique just a bit and will move on to other styles until again commissioned for a dentelle style tooling. The title of this post ”beauty” will be coupled with “the beast” in my next post. “The beast” is a set of nine volumes by Kenneth Grant called The Typhonian Trilogies. Not only is that set truly a beast to bind but the style is so dramatically different form this book that the titles could not be more appropriate.
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There is a saying – that the shoemaker’s children usually go without shoes. I believe this saying means that the shoemaker rarely has time to work on his own children’s shoes when he is busy working on the shoes of hs clients. This is the fact with me anyway- regardless of the meaning of the saying. I rarely bind my own books and normally find it extremely difficult, if not downright faux pas to even read the works I am binding. This book is an exception to that rule however. As a rare birthday present to myself I bound this book and gold tooled it in the little time I have “off” from my other duties.
From http://freemasonry.bcy.ca/biography/esoterica/yarker_j/yarker_j.html
April 17, 1833 - March 20, 1913
Yarker was neither a degree-monger, nor a charlatan, for he believed what he wrote, that the many degrees he had discovered all predated regular Freemasonry. He never invented evidence but accepted, uncritically, the invented evidence of others. His desperate attempt to ensure the continuance of the Ancient and Primitive Rite led him into the company of the fraud, Theodore Reuss, and Aleister Crowley.
Expelled from the Ancient and Accepted Rite, he severed all connection with regular Freemasonry and later published The Arcane Schools: a review of their origin and antiquity; with a general history of Freemasonry, and its relation to the theosophic, scientific and philosophic mysteries, (Belfast: 1909); and was publisher of The Kneph,the official journal of the Antient and Primitive Rite, from 1881 to 1900.
Author of 26 short papers in the Transactions of Quatuor Coronati Lodge No. 2076, he was an active promoter of the Royal Arch, Ancient and Primitive Rite, Knights Templar, and the old York degrees of Heredom-Kadosh.
Initiated: October 25, 1854
Lodge of Integrity No. 189 (later 163) Manchester Affiliated: April 27, 1855 Worshipful Master, 1857 Fidelity Lodge No. 623, Dunkinfield Demitted: 1862
See: John M. Hamill, “John Yarker: Masonic Charletan?” Ars Quatuor Coronatorum vol. cix (1996) pp. 191-214.
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Full hand dyed deckled calf adorned with extensive gold tooled designs, a central diamond leather blue inlay, and hand marbled end sheets. Eliphas Levi’s masterful tour de force deserved a royal treatment.
I have commissions from many sources, peoples, and places. Due to my past experience in the esoteric field I am often approached to work on materials that make some people squeamish. Oh well, most people are not me. I have a fun and long-standing client who has a deep admiration for Anton LaVey. As such he has me work on Dr. LaVey’s materials several times a year. I am honored to work on a book that is loved by its owner – whether the original author was Anton LaVey, Aleister Crowley, Buddha, or Jesus. I really do not mind the diverse spectrum of religious materials in fact I revel in it.
This work is bound in scarlet goat skin with black stamped pentagram and snake-skin onlay lightning bolt. Snake skin title plate, raised spine bands, several 666 stamps and traditional stamped design on the spine. Instead of past downs I did leather ha…nd dyed doublures – the front with a hand inked Anton LaVey which I drew with a quill pen and the back again stamped with the 666. I did a roll of black across the leather joints and added the traditional trident stamp at the corners to finish off the look. I also hand dyed the page top edges scarlet and the fore and bottom edges black and scarlet.
I bound these to books in December but sent them out in January…I am still binding my way out of this order and will have more to show for it. The Obelisk and Freemasonry was suffering from broken stitching and a dilapidated spine and Fishes, Flowers, and Fire; As Elements and Deities In the Phallic Faiths & Worship of the Ancients Religions of Greece, Babylon, Rome, Indian &c. For Obelisk… I wanted something very basic and direct and for Fishes a treatment invoking nature elements. Both books were restitched and had end sheets added.
Full deckled goat skin with gold tooled designs and custom Om symbols. The central motif is in the spirit of a Paul Bonet work. The book is “Living With The Himalayan Masters” by Swami Rama. I was given a price and a general idea of what the client wanted. I went with a custom OM stamp I made with a piece of brass and a Dremel tool as the central stamp surrounded with a waving repeating ray burst and small flames floating. All the tools for these elements were made in my shop and I supplemented them with traditional stamps for the corners, back, and spine. This was an expedited work and certain elements were done faster than I have ever worked before….or will ever work again. Bookbinding is as much an art as a craft and to rush it is not what makes beautiful books. That said, I think I can be proud and my client happy with this Christmas present.
My Masonic Lodge often reads presentation material to new candidates and during public events. I was asked to create a leather book similar to a fine menu or wine list book one receives in an upscale eating establishment. This book would be used to place the material to be read and have an attractive look as well. The Brother who came up with the idea paid for the materials and I donated about 12 hours to creation of the piece. I look at it as an early Christmas present for the Lodge.
Minneapolis Lode 19 AF & AM commissioned me to restore three of their precious Lodge record books. This Minutes book details the minutes for the year of Lodge activity 1858. The original binding was completely dry rotted and the pages detached. I restored the pages so that I could re-sew them and then created this new leather binding styled roughly on the original. This binding is sewn on tapes, as the original, and hand dyed to create a fine maple wood appearance….which I thought would accompany the Cambridge styled Panel nicely.
I found a copy of The Rites Of Eleusis by Aleister Crowley et. al. published jointly by the O.T.O. Caliphate in California and Stellar Visions. These are fairly uncommon and some rare. Knowing that these were originally glorified pamphlets it may be surprising to see it in such a fancy binding. I find the subject matter calls for such treatment, however, and the binding was easy to transform with my inlaid stitching. This scarlet goat skin hand dyed leather binding is decorated with dentelle style gold tooling. I added agate banded end sheets in order to carry on the colors of the original tie dyed frontis. I would love to see this book in action before the participants in the Rites, robed, and decorated, incense cloying their noses and this book held before the viewers in the hands of the officiating practitioner.
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